Pa r t i Sound-Producing Voice 1 Speech and/in Song Steven RingsĢ From the Natural to the Instrumental: Chinese Theories of the Sounding Voice before the Modern Era Judith T. Introduction The Clamor of Voices Martha Feldman and Judith T. Preface xi List of Illustrations xvii List of Musical Examples (Print) xxi List of Website Examples (Audiovisual) xxiii i68 2015 | ddc 783-dc23 LC record available at ♾ This paper meets the requirements of ansi/niso z39.48-1992 (Permanence of Paper). | Includes bibliographical references and index. | Series: New material histories of music | Essays based on papers of the international conference “A Voice as Something More,” held at the University of Chicago in November 2015. Description: Chicago : The University of Chicago Press, 2019. Other titles: New material histories of music.
Zeitlin with an afterword by Mladen Dolar. Title: The voice as something more : essays toward materiality / edited by Martha Feldman and Judith T. For more information, contact the University of Chicago Press, 1427 E. No part of this book may be used or reproduced in any manner whatsoever without written permission, except in the case of brief quotations in critical articles and reviews. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2019 by The University of Chicago All rights reserved. The University of Chicago Press Chicago and London z e i t l i n With an Afterword by Mladen Dolar The Voice as Something More Essays toward Materiality edited by m a rt h a f e l d m a n a n d j u d i t h t.
INSPECTOR DUBPLATE MUSTACHE MIXTAPE SERIES
A Voice That Is Not Mine: Terror and the Mythology of the Technological Voice (Tom Gunning)Īlso published in this series Musical Vitalities: Ventures in a Biotic Aesthetic of Music Holly Watkins Sex, Death, and Minuets: Anna Magdalena Bach and Her Musical Notebooks David Yearsley The Actor’s Absent Voice: Silent Cinema and the Archives of Kabuki in Prewar Japan (Jonathan Zwicker)ġ6. The Duppy in the Machine: Voice and Technology in Jamaican Popular Music (Andrew F. The Prosthetic Voice in Ancient Greece (Sarah Nooter)ġ4. Part VI: Technology, Difference, and the Uncannyġ3. Vowels/Consonants: The Legend of a “Gendered” (Sexual) Difference Told by Cinema (Michel Chion, translated by Zakir Paul)
There Is No Such Thing as the Composer’s Voice (Seth Brodsky)ġ2. The Gesamtkunstwerk and Its Discontents: The Wounded Voice in (and around) Alexander von Zemlinsky’s The Dwarf (David J.
INSPECTOR DUBPLATE MUSTACHE MIXTAPE CRACK
Voice Gap Crack Break (Martha Feldman)ġ0. Is the Voice a Myth? A Rereading of Ovid (Shane Butler)ĩ. “I Am an Essentialist”: Against the Voice Itself (James Q. The Artist’s Impression: Ethel Waters as Mimic (Laurie Stras)ħ. It’s All by Someone Else (Robert Polito)Ħ. Part III: Vocal Owners and Borrowed Voicesĥ.
Screamlines: On the Anatomy and Geology of Radio (Neil Verma) Voice, Music, Modernism: The Case of Luigi Nono and Karlheinz Stockhausen (Marcelle Pierson)Ĥ. From the Natural to the Instrumental: Chinese Theories of the Sounding Voice before the Modern Era (Judith T. The Clamor of Voices (Martha Feldman and Judith T.
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